Change-ups Not just for baseball anymore

CHANGE-UPS: NOT JUST FOR BASEBALL ANYMORE Varying sentence length in your writing sets a lot more than the tone or rhythm. It allows you to set up and emphasize points. Consider this: Many people consider New York a place they’d rather visit than reside in because of its reputation as being the city that never sleeps. New York, however, is a vibrant city divided into boroughs that are all cities within themselves. There’s something for everyone in this expansive city. Meh. It’s pretty bland – not only because of its weak word choices, but because the sentences are all roughly the same length. Its dull tone becomes lulling. Most people, including the author, wouldn’t think twice to skip it. Let’s try this: New York. The city that never sleeps. Outsiders may find it difficult to image living in the middle of the bustling Big Apple. But who wouldn’t want to live in a city that houses beaches, historical monuments, and stellar shopping? I picked a pretty boring subject matter on purpose to illustrate just how crucial varying sentence lengths could be. Once I captured the reader’s attention with a short sentence, I gradually increased my sentence length to encourage the reader to keep reading. I broke up two longer sentences with a shorter one. There’s no pattern or set of rules to follow, but you should always keep in mind the basics. You don’t want to write only in short sentences or they lose their punch and become disruptive to the reader. Use longer sentences to establish tone and comfort, or to inform readers about something. By varying the lengths of your sentences, your audience will pick up on all the nuances that you’ve poured into your writing. It just makes reading more fun.

interview with the vampire essays

interview with the vampire essays The story starts off in an apartment with Louis and an interviewer. The interviewer quite amused and nervous when he realized that Louis was a vampire and wanted to suck his blood but despite what Louis said he continued to ask questions and interview Louis. I guess because if he gets out of the apartment alive that he would be a rich man because of all the recorded tapes. Louis who is a vampire starts off telling in his own words, of his journey through mortal and immortal life. Louis recounts how he became a vampire at the hands of a pure blood vampire Lestat and how he became sucked in, unwillingly, into the vampire way of life. Louis tried for a while to resist temptation for human blood by killing small rodents and also sometimes even dogs but he failed. The temptations grew strong and his vampire urges got to him. His story originates in the streets of New Orleans, such as his discovery of a lost young child Claudia, wanting not to hurt but to comfort her with the last breaths of humanity he has inside. Yet, he makes Claudia a vampire, trapping her womanly passion, will, and intelligence inside the body of a small child. Louis and Claudia form an unbreakable bond and even settle down for a while in the rich French Quarter. Louis remembers Claudia's struggle to understand herself and the hatred they both have for Lestat that sends them halfway across the world to seek others of their kind. Louis fells really bad and guilty about Claudia and why he turned her into a vampire because she was only a kid and will always be one. Louis and Claudia are desperate to find somewhere they belong, to find others who understand, and someone who knows why and what they are. Louis and Claudia travel across Europe, eventually coming to Paris and the successful Theatre des Vampires: a theatre of vampires pretending to be ...

JAMES JOYCE Research Paper Example | Topics and Well Written Essays - 1250 words

JAMES JOYCE - Research Paper Example In 1914 the short story Araby was published in the collection called Dubliners. From the first line of this story the readers can learn about the cheerless life he had in Nort Richmond Street. The main character is a boy. He lived with his uncle and aunt. The author emphasizes that only due to the inexhaustible energy and fantasy of kids the street that was really dark and sad, seemed full of light. He provides a very beautiful description of the life in the street and the feeling of children: â€Å"When the short days of winter came, dusk fell before we had well eaten our dinners. When we met in the street the houses had grown sombre. The space of sky above us was the colour of ever-changing violet and towards it the lamps of the street lifted their feeble lanterns. The cold air stung us and we played till our bodies glowed. Our shouts echoed in the silent street. The career of our play brought us through the dark muddy lanes behind the houses, where we ran the gauntlet of the roug h tribes from the cottages, to the back doors of the dark dripping gardens where odours arose from the ashpits, to the dark odorous stables where a coachman smoothed and combed the horse or shook music from the buckled harness† (Joyce). Children played the game that elucidated the street. The author wants the readers to understand how children see this world (Special issue on James Joyce). ... All their cries echoed in the secretive streets. The success of the game depends on children themselves. The children were eager to make a so-called career. Certainly, it was a very childlike career. The author depicted the indifference of kids to the adult world, but at the same time their great interest to it. They spied on the adult characters of the story, for example the uncle of the narrator and the sister of Mangan. The boys would like to get to know more about the opposite gender. For them it was something mysterious, something hidden and unknown. By spying they revealed the secrets of the adult life and world, which was very interesting for them (McCourt 3). The culmination episode connected with the romantic idealization of the sister of Mangan deserves special attention. The boy dreamt about her not even talking to her and maybe only children can dream this way: â€Å"her image accompanied me even in places the most hostile to romance†¦Her name sprang to my lips at m oments in strange prayers and praises which I myself did not understand. My eyes were often full of tears (I could not tell why) and at times a flood from my heart seemed to pour itself out into my bosom. I thought little of the future. I did not know whether I would ever speak to her or not or, if I spoke to her, how I could tell her of my confused adoration. But my body was like a harp and her words and gestures were like fingers running upon the wires† (Joyce, â€Å"Araby†). Their first meeting was also mysterious, maybe because a boy imagined it in his dreams all the time. It was a rainy evening, when the boy was along in the room. This room was soundless, dark and empty. He was full of imaginations. He constantly repeated the word